Królewskie fanfary i subtelności natury

Jubileuszową edycję warszawskich Ogrodów Muzycznych otworzą Sinfonia Varsovia pod batutą Michała Klauzy oraz kazachska skrzypaczka Meruert Karmenova, laureatka 16. Międzynarodowego Konkursu Skrzypcowego im. H. Wieniawskiego w Poznaniu (2022).

Program:

Marc-Antoine Charpentier Preludium do Te Deum H.146 [5’]

Antonio Vivaldi Koncert skrzypcowy E-dur Wiosna R.269 z cyklu Cztery pory roku op. 8 [11’]

Giovanni Sollima Violoncelles, vibrez! na dwie wiolonczele i orkiestrę smyczkową [13’]

Antonio Vivaldi Koncert skrzypcowy g-moll Lato R.315 z cyklu Cztery pory roku op. 8 [10’]

 przerwa

Ralph Vaughn-Williams The Lark Ascending na skrzypce i orkiestrę [13’]

George Frideric Handel Muzyka ogni sztucznych (Music for the Royal Fireworks) HWV 351 [19’]

Polish New Generation in Classical Music

The Polish award-winning Baroque ensemble Régence sonore presents concert entitled “Hidden gems - music from the 18th century Polish collections”.

Régence sonore:
Weronika Zimnoch - baroque violin
Krystyna Wiśniewska - baroque cello
Weronika Paine - harpsichord

Programme:

• Johann Gottlieb Janitsch (1708 — 1763), Trio Sonata in G minor IJJ 32, 18th century

• Joseph Meck (1690-1758), Concerto C minor (RISM ID no.: 1001077413), from music collection of Archdiocesan Library of Sandomierz, 1st half of the 18th century

• Anonymous (?), Trio (sygn. A I 34 nr 34), from music collection of Archdiocesan Library of Sandomierz, 18th century

• Anonymous (?), Trio (sygn. A X nr 530), from music collection of Archdiocesan Library of Sandomierz, 18th century

The music of 18th-century Poland, while still relatively unknown, is rich in compositional discoveries. The program focuses on manuscripts from the Archdiocesan Library of Sandomierz, which include works by local Benedictine nuns and other collections from the region.

Johann Gottlieb Janitsch, associated with the Berlin school, created music in the “Empfindsamer Stil,” evident in his Trio Sonata in G minor. Joseph Meck, a German composer from Eichstätt, gained recognition for his Violin Concerto, which combines Vivaldi’s influences with virtuosic passages. Ananonymous piece, dated to the late 18th century, features an elegant manuscript and classical stylistic elements. The final trio, a transcription of Polish folk dance music, merges baroque elements with folk influences, radiating energy and irregular rhythms. These discoveries highlight the diversity and musical richness of this period in Poland.

Bruderholz Baroque:
Alek Fester, Julia Bauer - baroque oboe
Julia Marion - bassoon
Weronika Paine - harpsichord

Chamber music concert with excerpts from the new program “Viennese Metamorphosis” performed by ensemble Régence sonore.

Chamber music concert with the new program “Viennese Metamorphosis” performed by ensemble Régence sonore.

Weronika Zimnoch - baroque violin
Krystyna Wiśniewska - baroque cello
Weronika Paine - harpsichord

Chamber music concert with excerpts from the new program “Viennese Metamorphosis” performed by ensemble Régence sonore.

Weronika Zimnoch - baroque violin
Krystyna Wiśniewska - baroque cello
Weronika Paine - harpsichord

Baroque music of the royal court of the Polish-Lithuanian Commonwealth.

Vox Præterita:
Indrė Kučinskaitě, Benedetta Ceron - cornetto
BJ Hernandez - sackbut
Weronika Paine - harpsichord